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Cox and Hirsch play father and son coroners who receive a mysterious homicide victim with no apparent cause of death.
As they attempt to identify the beautiful young "Jane Doe," they discover increasingly bizarre clues that hold the key to her terrifying secrets.
Tilden Morgue & Crematorium has been a local family-owned operation for a century.
The current generations in charge are benevolently gruff — sardonic widower Tony (Cox) and son Austin (Hirsch).
They’ve got good chemistry, and while it’s not the sort of enterprise that requires fully dimensioned characters, both film and cast do their best to provide just that.
(Kelly deserves applause of a different kind for enduring a role which must have required the patience of Job.) In its last lap, tense action is replaced somewhat by speculative explication, and the resolution isn’t quite as big a payoff as might be hoped.
His court date is currently set for March 16 on a charge of aggravated assault, a third degree felony.
IFC and Raven Banner have picked up distribution rights for the U. All signs indicate that they were trying to leave the house …
but there’s no evidence that an intruder actually broke in.
Though the latter has a date with his girlfriend, Emma (Ophelia Lovibond), he postpones it a few hours in order to help dad with this rush job.
Externally, the nameless, ethereally lovely victim bears no signs of harm at all.
While “Autopsy” lives up to its title, providing plenty of grisly medical gore, the forensics induce less squirming than the exacting yet playful way Ovredal keeps making us anticipate more unnatural acts as the Tildens realize something is seriously amiss.